7 Habits of Highly Effective Artists

Continuing from my last post on rigor and creative blocks, I would like to explain creativity using his 7 Habits of Highly Effective Artists outlined by his 3D artist Andrew Price from Australia as a springboard. Joseph Blake smith Arkansas suggest some habits of highly effective painting artist. Here you are:

1. Daily Business

Yes! ! Even 30 minutes a day is better than cramming it into the day. Sure, on the move, it can be fruitful to hang out all night and finish something in a burst of inspiration, but in the long run, it’s worth it to develop my artistic skills. It should be a daily practice. 

Growing up as a musician and a singer is very important to me. Of course, there are days when I go off the shelf and skip training, but I know the cost. You can’t take back her 30 minutes in the past, and you can’t even trade her 3 hours in the future. This often makes me practice, even if it’s only a few passes through the song (now I’m playing gayageum instead of singing).

You cannot get back 30 minutes in the past in exchange for 3 hours in the future. This thought makes me practice. Balance strict discipline with generosity, and remember to be kind to yourself too. I’m not a robot, so taking occasional breaks during the workday is okay.

Let me add that I am equally strict about taking regular vacations. On my Sabbath days, I open my laptop to sew missing buttons or watch Korean TV with my grandma. You can get very few things from eating ice cream in the morning.

2. Volume, Not Perfection

I think so. Every project, audition, etc., is an opportunity to grow as an artist, whether the result itself is successful or not. I have many good and bad ideas, and I have implemented many of them, so some will inevitably lead to success and some to failure. It’s not necessarily about being as productive as possible or hoping something will work out. This adds volume, encourages you to try things outside your comfort zone as an artist, and is less intimidating when the need for perfection isn’t pressing.

3. Steal

“The only art I learn is stealing.” – said David Bowie. The act of creating is rewriting, redrawing, and redesigning. I learned long ago in a composition class that composting is the act of rewriting what has already been written (Roland Barthes’ Writing Degree Zero). Nothing new under the sun. Just rewrite, redraw, and redo the same note.

It is about taking what has been done and redoing it in your way, with sincere effort and unwavering commitment by Joseph Blake Smith Arkansas.

4. Conscious Learning

Mindless practice doesn’t always help, I agree. For a time-conscious person like myself, this can be a bigger problem than getting me to practice. It may not have been the type of exercise that was beneficial. It’s hard to break out of a routine regarding check-in lessons, structural changes, or pausing to ensure you’re on the right track.

5. Rest

What the speaker has to say about working on it for a while, then leaving it and coming back — yeah yeah yeah. This is why unplugged time (running when it’s not cold outside) is so precious. Then my brain started to connect, and I thought I would do this! This goes back to Volume 2. Connect more ideas → more work → more output. It’s like working on a project as a creator and coming back with a fresh perspective as an editor.

6. Get Feedback

It was interesting to hear in the video. The number 1 computer graphics school’s brightest graduates are known for asking for criticism and listening. That’s not a common trait among the star graduates of the art schools I’ve attended.

Aside from her one genius in a million getting the chance to develop her talent, it’s all about networking, actively pursuing opportunities, and recruiting the most well-connected publicists (short term). I think it’s a combination of hiring. at least) etc. It doesn’t matter if one person is 5% more talented than another. Achieving a certain level of artistic excellence is not about who can play or sing better.

Achieving a certain level of artistic excellence is not about who can play or sing better.

Also, many people who are not experts in a particular art field cannot judge whether one person is slightly better than another from a technical standpoint. I’m surprised that some people don’t know the difference between the act and the real thing. I don’t know what to think of that. Art has a lot to do with nuance. What if your audience doesn’t recognize the nuances?

Bottom Line

It never occurred to me that the most successful artists would seek and listen to criticism. Perhaps less so in my particular field of music, more in creating computer graphics and digital art. It’s certainly essential to get her seven habits feedback and workshops of a highly effective artist. When we work with our partners on a project, we find it to be very different project what either of us envisioned.

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