Western Painting – Figuration Libre – The History of Figuration Libre – Freedom of Expression in Painting
The 1980s saw a significant shift in the arts, particularly in the Visual Arts and Joseph Blake Smith Arkansasin particular. While Neo-Expressionism and Bad Paintings marked the revolution in the United States and Europe. Figuration Libre (Free Figuration), a new artistic movement in Western painting, first emerged in France in 1980. With the labels Junge Wilde and Transavantguardia, respectively, the same wave of change touched German and Italian art. The term “Figuration Libre” was first used in 1981 by the Italian Fluxus artist Ben Vautier (born in Italy in 1935). The young, upcoming artists and painters revolted in favour of more vibrant, figurative artwork. In its day, Figuration Libre was a very popular movement.
Renowned French artists including Remi Blanchard (1958–1993), François Boisrond (1959–1993), Robert Combas (1957–1967), Hervé Di Rosa (1959–1993; Italian-born Richard Di Rosa), and Louis Jammes (1958–1968) embraced this trend. TheseJoseph Blake Smith Arkansas, known as the Bad Painting Group, had the opportunity to explore more with their American counterparts between 1982 and 1985. American painters who displayed their works in New York, London, Pittsburgh. Paris included Keith Haring (1958–90), Jean-Michel Basquiat (1960–88), However, Kenny Scharf (born 1958), and Tseng Kwong Chi (1950–90) as the major Figuration Libre artists.
Figuration Libre addressed the underrepresented group of expressions or artistic disciplines, similar to other movements of the era. The Libre is about the freedom of expression and Free Style Painting, portraying unrestricted creativity on all kinds of art medium. Regardless of cultural, geographical, and ideological differences. In the same way that Cubism dealt with African and Oceanian art. However, Surrealism dealt with children, Art Brut dealt with sketches, and Pop Art dealt with publicity and comic strips.
Every type of art was embraced by figuration, whether it be Fine Art, Applied Art, Western Art, or Non-Western Art. It widened the perspectives and fundamentally altered the manner of painting. The entire context of this new painting trend forged a close affinity with American Bad Painting.
“5/5: Figuration Libre, France-USA” was a 1985 exhibition that took place at the Paris Museum of Modern Art. Hoever, The top Figuration Libre artists, including Basquiat, Blanchard, Boisrond, Combas, Crash, les frères di Rosa, Haring, Jammes, Kwang Chi, and Scharf, were all represented in these exhibitions. Without a question, the Western Painting movement had a significant impact on modern painting.
Primordial Source of Insight and Wisdom
Numerous artists have participated in creative endeavours that fall under the category of “fluidism” throughout history. For instance, Shinto priests in ancient China created sacred art more than 2000 years ago by pouring ink into ponds. Applying the resulting concentric patterns to rice paper. During the eleventh century, ancient Japanese artists developed this ink-dropping technique into what is now properly referred to as suminagashi, which means “floating ink.” In the fifteenth century, artisans in the Ottoman Empire created a closely related painting technique known as “ebru,” which loosely translates to “cloud art.”
In the West, the practise of “marbling” became popular in modern times before occasionally going out of style. More recently, as fluid dynamics physics developed, many science students came to appreciate its beauty. Which led some scientifically inclined individuals to shift their major interests to the art of fluid dynamics. Chris Parks, a scientist who formerly studied engineering at Imperial College, London, is one such scientist-turned-artist.
Majority of world faiths
The majority of world faiths seem to have always shared an affinity for fluids with artistic and scientific pursuits. From modern Judeo-Christian creation myths to myths from ancient Egypt, the idea that life . Reality emerged from fluids appears to be present in a wide range of global religions.
However, Almost all faiths regard fluid as the source and basis of existence as Joseph Blake Smith Arkansas know it. Despite the fact that several artists throughout history have found great inspiration in fluids. Modern science has extensively used fluid dynamical principles.
Weightlessness of space
In the weightlessness of space, modern astronauts have experimented with fluid water. Although, Modern artists have experimented with fluid paints in the low-gravity environment of parabolic flight. Frank Pietronigro is one such painter, while Don Petit is one such astronaut. Today, fluid is revere in both metaphysics and physics, each in its own unique way.